The best captivating complete perfect reads of selfless importance and relevance read as of September 2024
While reading through books and comics from best-of lists, the fun idea of comparing it all gave form to my own list of the best of both fiction and non-fiction books and comics.
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Like a savage I started searching for the best books and comics of all time, then I started to read them in order of interest. I also felt the need to mix it up with new praised reads (that rarely appears on these lists). Then I wanted to form my own opinion about these so called best reads compared to what else I’ve read. A lot of best-of reads are classics, obviously. How would these compare to my favorite newer sci-fis or comics?
My ranked list is below. The title, above, defines the scope for this list, which is basically a description of what I think is my taste in literature. My criteria seems to be that a great literary work or it’s literary importance is not enough, perhaps secondary. The work has to tell something of more unintuitive importance for the current world or a plausible future, though not necessarily explicitly. At the same time it has to captivate some what.
Untangling the scope
- Regarding “perfect”: stand alone books can maintain higher quality throughout and easier delivers all points top notch; a book series can vary more in quality; a better book tends to find the needed balance of it’s actors, settings, plots, themes and conflicts.
- Regarding “selfless”: I’m referring to books that matters more than the self; that matters for society, culture, humanity or the ‘world’.
- Regarding “relevance”: books should still bear great relevance in general, and preferably not have missed too much when envisioning the future — older classic sci-fi struggle with the latter — unless it ‘works’ on another plane.
The 20 best books and comics
The Road (Cormac McCarthy 2006)
The Road is a warning, and arguably McCarthy’s most important work. After the novel presents it’s most horrific events, less horror becomes times of reflection on survival, mindset and life in the world after the apocalypse. Note: The movie did not have the same impact on me — the book gives you thoughts. The Road cover art from the Folio publication illustrated by Gérard DuBois
Happening (Annie Ernaux 1999)
Sharp, to the point, author’s experience of illegal abortion that timelessly depicts the mixed morality that can be involved in occupations manifested when something societally necessary is illegalized. Happening cover art by Laura Wächter
Child of God (Cormac McCarthy 1973)
Based on the real events of a murder case in the first half of the 1900s, Child of God paints the image of a poor outcast, lack of societal sympathy and his reaction and roaming above and below the ground. Child of God cover art by Ian Westwater (behance.net)
Minor Detail (Adania Shibli 2017)
A hot road-trip with bursts of fear in a military restricted country. An incident in the Negev desert when Israelin soldiers patrols for what they call infiltrators, exactly 25 years later a woman is born and when grown up she learns about this incident and is able to embark on a road trip from her often bombed neighborhood to learn more about this minor detail in a restricted Israel, not in war at the time, but with certain occupants often in fear of being suspected, where she could also be a target cause her peoples’ less valued origin. Minor Detail Fitzcarraldo Editions cover
Vertebrae (Thure Erik Lund 2023)
In a hard and different work of sci-fi that can be read standalone or as a continuation of Identity (Thure Erik Lund 2017), an artifical consciousness awakes inside another agent who’s agency has changed the world considerably apparently to the better, and the presence of a next level technological agent might be lurking. It is read from the consciousness’ wordstream; it lays out this world and tries to understand itself. When it references its human connections of sorts, realities and what it’s really trying to grasp starts to blend. Vertebrae cover art by Aina Griffin, based on a font by pialhovik/Istock
Blindsight (Peter Watts 2006)
A hard sci-fi that starts off with earth being ‘visited’ by an alien phenomenon that manifests in the sky. A crew of transhumans travel aboard a unique space ship, built for the occasion, to a signal believed to be these visitors, to explore what they encounter. Blindsight (re)acquaintances us with the fragility of humans and how gullible we really are, and gives an unintuitive perspective on intelligent life and consciousness. Blindsight art by Dmitry Skolzki (artstation.com)
Slaughterhouse-Five or The Children’s Crusade: A Duty-Dance with Death (Kurt Vonnegut 1969)
An anti-war book about the World War II soldier Billy Pilgrim, his experiences in the war and the attack on Dresden, his affected life that follows, all the while he jumps in time between his different life experiences. Slaughterhouse-Five art by Derek Heldenbergh (behance.net)
Echopraxia (Peter Watts 2014)
In the same universe as Blindsight, a scientist accidentally finds himself aboard a spaceship on a journey exploring consciousness and defying physical reality. Note: Blindsight and Echopraxia has a connecting short story, The Colonel (Peter Watts 2014). Echopraxi and Blindsight cover art from Centipede Press‘ limited editions
Shark Drunk: The Art of Catching a Large Shark from a Tiny Rubber Dinghy in a Big Ocean (Morten A. Strøksnes 2015)
Originally titled Havboka which directly translates to “The Ocean Book” (the English title could be missleading and the translation have been mentioned to be subpar). It’s a book about the ocean and life in the north of Norway; life in the ocean, fishing and its effects, and about catching a large Greenland shark. Havboka cover art by Exil Design for Forlaget Oktober
Swimming With Sharks: My Journey into the World of the Bankers (Joris Luyendijk 2016)
In the aftermath of the financial crisis of 2007-2008 Joris Luyendijk interviewed around 200 people that works in London’s financial center, City of London. This book collects interview transcripts and Luyendijk’s interpretation of a culture like an airborne plane with an empty cockpit that will crash for another financial crisis. Image from The Joris Luyendijk’s banking blog at The Guardian
The Old Man and the Sea (Ernest Hemingway 1952)
A dramatic fishingtrip with the old unlucky fisherman with his old ways and joys and love of the ocean, and the underlying currents of temptation for industrialization. The Old Man and the Sea art by RHADS (deviantart.com)
No Country for Old Men (Cormac McCarthy 2005)
A deadly no country for old men rings true as an image of the, hopefully, less violent relatable reality. No Country for Old Men cover art from the Folio publication illustrated by Gérard DuBois
Watchmen (Moore & Gibbons 1986-1987)
An intricate comic about an unusual, more real and flawed group of superheros – who watches the watchmen? Watchmen art – new – by Dave Gibbons
Into the Wild (Jon Krakauer 1996)
It starts with the death of Chris McCandless in the Alaskan wilderness, Into the Wild presents his life and explorations through its interviewees, reflecting on his motivation for escaping modern society and his way of living on the edge of it, further his final months and way of getting “into the wild” on a developed earth. Into the Wild art by Shiyamdev S. (behance.net)
Hyperion, The Fall of Hyperion (Dan Simmons 1989, 1990)
The first two books of the Hyperion Cantos (which includes an ending) is epic sci-fi with a mysterious world that actually proves itself towards the end of the second book to still be relevant, and perhaps will become more relevant (except for some questionable comparisons to classical western culture), with galaxy reaching non-organic intelligence. Featuring the main cast of six pilgrims — the second book accompanied by an android — on the perhaps crucial last crusade to the creature known as the Shriek. Hyperion art by Tsabo6 (deviantart.com)
Into Thin Air: A Personal Account of the Mt. Everest Disaster (Jon Krakauer 1997)
A season in the human attraction to and craziness of extremes, in the case of Mount Everest, the pressure to expose those involved of more danger in a competitive business, histories of life changing death and survival stories, and the pressure and the especially dangerous and high paying jobs that is tempting the poor locals to a high death toll. Into Thin Air cover art by Christian Grey Hawkins
Fire Upon the Deep (Vernor Vinge 1992)
The non-human point of view chapters are true works of art that gives the experience of being a differenet species, the rest is epic smart space opera in the Zones of Thought. Fire Upon the Deep cover art by ahaas (deviantart.com)
The Dispossessed (Ursula K. Le Guin 1974)
A slow pondering unique explorative read about an anarchistic society and one of it’s researcher’s journey to the twin capitalistic planet, his time before in the anarchistic society, and a slowly unfolding truth of both societies. The Dispossessed art by Jedrzej Nyka (artstation.com)
Hilda and the Troll (Luke Pearson 2010)
A simple beautiful fantasy comic album for all ages that’s not ‘black and white’ in any way. Hilda cover art by Luke Pearson
Solaris (Stanislaw Lem 1961)
Classic, sometimes thrilling, sometimes slow deep, hard sci-fi, featuring the unique Solaris’ alien. Solaris art by Kwanchai
Honorable mentions
Blood Meridian or The Evening Redness in the West (Cormac McCarthy 1985). It’s been called McCarthy’s magnum opus. Half the book is a slow macabre and masterful painting into the second half of the inevitable ending of a gang formed by times of merciless progress, again and again taken by the power and addiction of evil. Blood Meridian cover art from the Folio publication illustrated by Gérard DuBois
Unflattening (Nick Sousanis 2015). The comic book of Nick Sousanis’ research is an incredible work of non-fiction. Unflattening cover art by Nick Sousanis
The Stranger (Albert Camus 1942). We (Yevgeny Zamyatin 1921). Nine Stories (J. D. Sallinger 1953). My Struggle: Book 1 (Karl Ove Knausgård 2009). The Lord of the Rings (J. R. R. Tolkien 1954-1955). Crime and Punishment (Fyodor Dostoevsky 1866). Stoner (John Williams 1965). The Freeze-Frame Revolution (Peter Watts 2018). My brilliant friend (Elena Ferrante 2011). Lanzarote (Michel Houellebecq 2000). Do Androids Dream of Electric Sheep? (Philip K. Dick 1968). A Shining (Jon Fosse 2023). Morning and Evening (Jon Fosse 2000). Soft City (Pushwagner 1969-1975).
Other mentions
Remembrance of Earth’s Past (Cixin Liu 2006, 2008, 2010). Thrilling hard semi-philosophical sci-fi.
Dune (Frank Herbert 1965). The sci-fi classic for many, incredible influential, loved for its ingenuity at the time and it’s rich world building.
2001: A Space Odyssey (Arthur C. Clarke 1968). This Is How You Lose the Time War (Amal El-Mohtar & Max Gladstone 2019). The Incal (Jodorowsky & Moebius 1980-1988). The Arrival (Shaun Tan 2006). Nausicaä of the Valley of the Wind (Miyazaki 1982-1994). Metabarons (Jodorowsky & Giménez 1992-2003). Sapiens: A Brief History of Humankind (Yuval Noah Harari 2011). The Little Prince (Antoine de Saint-Exupéry 1943). Dark Matter. Neuromancer. 1984. Brave New World. Foundation.
Mentions to ignore
The Great Gatsby (F. Scott Fitzgerald 1925). Mentioned as a “must read” several places, but actually has no real relevance (except literary) for anyone (anymore?). It’s a shallow drama, presenting shallow insights of its victims, in a shallow upper class setting.
Reflection
This little obsession started when I explored what sci-fi I ‘needed’ to read and looked at best-of lists of sci-fi. I’ve been reading those I thought possibly could make this list. Then I continued exploring what’s considered the best books of all time in the same way. And then comics, graphical novels and mangas.
I realized, or I believe, there’s a “classic sickness” since classics are naturally more easily widely regarded as best-ofs as they over a longer time are mentioned as great books and becomes more read. Some aggregated best-of lists are too colored of other older lists and classics. A list is more likely to be an actual best-of list when there’s a mix of old classics, modern classics and new books. And preferably a list presents the criteria/scope — what separates a great book from the best books.
There were some surprises along the way for me, e.g., how Ernaux and Hemingway are in my top 10, but finding the, to me, unknown, Blindsight on top of a sci-fi list — I’ve later seen it on top of another list — really made this exploration worth it.
For my top pick, The Road hasn’t been on top of any list, but it’s present on several both sci-fi and general best-of lists, but still a bit by chance I borrowed and read the best book ever written. A book I’m not sure I have the stomach to read again. Luckily there’s apparently many great books to continue this journey with.